Rich Dirt: Class, Craft, and the Semiotics of Natural Materials
People tell me I have expensive taste. They don’t mean it as a compliment, not exactly. It’s an observation masquerading as concern, a diagnosis wrapped in curiosity: How can you be struggling if you work with fur and leather and velvet? They’re reacting to surfaces—the sheen of a hair-on cowhide, the drama of a dyed … Read more