1/11/2025 Contemplating societal engagement. Site updated daily.

The Heresy of Good Work

It’s Not “Protestant Work Ethic” to Care About What You Make


The Accusation of Effort

It happens in a dozen small ways, usually wrapped in kindness, occasionally laced with smugness. Someone sees you working with focus—sanding a seam no one will see, re-throwing a vessel that’s almost right, rewriting a paragraph that would pass in daylight—and they tilt their head. “Don’t overdo it,” they say, or, “You know you don’t have to be so intense,” or the real dart: “You’re internalizing the grind.” On the internet, the phrasing shifts. “Protestant work ethic,” they declare in a tone that pretends to be diagnostic but lands like moral indictment. The implication is simple: if you care about the quality, rhythm, and continuity of your work, you must be serving some joyless god of productivity. In the current climate, visible effort reads as suspicion. To be devoted to the integrity of making is to risk being mistaken for a zealot of the grind.

The absurdity is that caring was never the problem. It’s the conflation that stings—the way a culture, exhausted by bosses and dashboards and metrics, now treats sincerity itself as evidence against you. The world’s power structures have certainly abused effort; they have turned diligence into a whip and called it professionalism. But we should be wary of swinging so hard in the other direction that we mistake apathy for salvation. What if deep attention is not submission? What if the willingness to take pains is not a sign of being owned, but a form of keeping your life un-owned? I have no interest in sanctifying burnout. I am also unwilling to pretend that indifference is freedom. We have to learn to tell the difference.


What the Protestant Work Ethic Actually Was

If we’re going to throw the phrase around, we should recall what it meant. The Protestant work ethic was never simply “try hard.” It was a theological machine that turned labor into proof of grace. In certain strains of Calvinist and Puritan thought, salvation was predetermined and invisible; worldly success—diligence, thrift, outward rectitude—became a sign that perhaps you were one of the chosen. Work was not just necessary; it was sacramental. Idleness became sin. Time itself became a ledger to balance in God’s name. Somewhere in that historical weather, exhaustion acquired a glow.

You can draw a line from those church bells to modern time clocks without much imagination. The moralization of labor outlived its theology. We learned to feel righteous only when useful and to treat usefulness as a proxy for worth. Even as the doctrines faded, the tone lingered: sermons replaced by self-help, parish replaced by platform, salvation by success. The ethic colonized desire. It taught us to be suspicious of rest unless rest was “well-earned” and to be suspicious of joy unless joy could be converted to output. The damage is everywhere. But the cure is not to pretend all effort is a hymn to the same god.


The Afterlife of the Ethic

If the work ethic’s theology evaporated, its atmosphere condensed elsewhere. You can hear it in hustle culture’s catechisms: optimize, scale, build your brand, convert your passion. You can see it in the way “busy” performs as status and in the way “I’m slammed” doubles as a confession and a boast. Push notifications have replaced church bells; a KPI dashboard now tells you if your week was righteous. Even those who claim to reject capitalism inherit the reflex. They police visible effort as suspect, as if the only way to refuse the boss is to refuse your own appetite for depth. We have become so adept at spotting the theater of productivity that we’ve started mislabeling any deliberate practice as theater.

This is how moral confusion breeds: we import the enemy’s vocabulary into our own living rooms and then accuse each other with it. The person who loves putting in an extra hour to make a sentence breathe is not necessarily a pilgrim of the grind. The person who rejects a sloppily adequate bowl to rework the profile is not necessarily signaling virtue. It is possible—mundane, in fact—to labor carefully for reasons that do not align with the spreadsheet’s cosmology. But when effort has been the boss’s favorite song for centuries, any melody that uses the same notes starts to sound like a cover. We need a better ear.


The Counter-Ethics of Craft

Other songs exist. They always have. Long before the factory clock, there were guilds whose ethics centered on mastery, lineage, and apprenticeship—temporalities measured not by output per hour but by the curve of a learning that deepened over seasons. In communal and Indigenous traditions across the world, making is not primarily a way to produce goods but a way to maintain relationships—with land, with ancestors, with neighbors, with materials that have their own demands. Care in these contexts is not a performance of purity; it’s a practice of continuity. The point is not to display adequacy but to keep a pattern unbroken, to steward a technique, to let knowledge live in more than one pair of hands.

Even in the workshop of one, there is an ethic that refuses the market’s breathlessness. It says: listen to the material. Let the form arrive at its own pace. Know when you’re forcing it. The attention you bring is not to please a supervisor or an invisible deity masquerading as the Ultimate Supervisor; it’s to be in honest conversation with what is real—grain, clay memory, the way a paragraph shifts when you move a verb to the front. You pause because the piece asks for it. You continue because stopping would be a lie. A craftsperson’s patience is not a performance of virtue. It is a way of listening to reality, and the patience is specific: to cedar’s tendency to split, to porcelain’s hunger for even walls, to the reader’s lungs.

In these ethics, good work is not about salvation or status. It is about respect—for time, for tools, for the beings and people your work will touch. The care is a quiet secular reverence, or a plural, layered reverence if that’s your cosmology. It does not prove grace. It participates in it.


The Violence of Mislabeling

When someone dismisses care as “grind mindset,” they commit a small violence, even if they mean to rescue you from harm. They collapse autonomy into obedience. They assume any effort must be in service to capital, as if capital were the only reason a person might want to do something well. That erasure has consequences. It delegitimizes the people whose joy is in depth—the gardeners who spend an hour staking because they love what the tomatoes do when they’re supported; the weavers who rethread a loom rather than fake a fix; the writers who will cut a page to save a sentence. It erases non-capitalist forms of devotion and turns every act of dedication into an accusation of complicity.

There’s a broader harm, too. Language shapes permission. If our shared vocabulary only allows two categories—grind or slack, zealot or sloth—then anyone who wants to live with intention must either pretend indifference or accept being framed as a scold. Both are defeats. A culture that cannot tell the difference between being owned by work and owning your work will keep punishing the wrong people. It will keep praising the performative refusal to care while penalizing the quiet infrastructures of kindness that only effort sustains.


Autonomy Is Not Efficiency

The boss says: work because you must. Certain theologians said: work because it pleases God. The autonomy ethic says: work because it is a way to live honestly with the world. These are not the same directive. Efficiency is not a synonym for sovereignty. When you choose your rhythm, your scale, your tolerance for imperfection and your intolerance for harm, you are not serving a clock; you are choosing a life. Freedom here is not freedom from effort but freedom within effort. You can rest without apology. You can labor without apology. The measure is not “how much did you do” but “did the doing line up with the person you mean to be.”

In practice, autonomy looks unspectacular. It looks like building a schedule around capacity rather than demand. It looks like pausing to re-center the work when the incentives drift you toward spectacle. It looks like refusing to rush something that cannot survive rushing. It looks like ending early because your body says no, and it looks like going late because the sentence finally opened and you would like to follow it to the end. This is not efficiency; it is fidelity. The work is not a treadmill; it is a covenant between hands and materials, between intent and form.


When Anti-Work Becomes a Mirror of the Boss

There is a version of anti-work sentiment that, in rejecting managerial cruelty, replicates its logic in reverse: if the boss says effort is virtue, then effort must be vice. If the boss says show up early, then showing up at all is a capitulation. The polarity flips, but the moral math still revolves around labor as the axis of worth. You are good if you refuse; you are bad if you persist. The result is a different leash—one that tugs you away from the practices that make your days cohere simply because they look like “trying.”

I want no part of that mirror. I will not worship work. I will not worship leisure. I will use both as tools for living decently. There are days when putting everything down is the most honest thing I can do. There are days when the most honest thing is to keep smoothing the rim because the cup will sing if I do. If your version of liberation demands that I stop caring, it is not liberation; it is sedation. A free person is not the one who never exerts themselves. A free person is the one who knows when effort is theirs and when it has been extracted.


Pleasure, Devotion, and the Refusal of Cynicism

One of the quiet terrors of cynical economies is unpurchasable joy. Pleasure in making cannot be priced neatly; it refuses to be translated into units. Systems that thrive on scarcity and shock distrust the sight of a person absorbed in their work for reasons unrelated to metrics. There is, tucked inside devotion, a kind of immunity. You are not as easily sold to when your day already contains a form of satisfaction that does not require consumption.

This is not the old suspicion of pleasure—no Puritan scowl here. It is the opposite. The Protestant ethic treated pleasure as temptation and often as proof of moral slippage. The modern management ethic treats pleasure as inefficiency, a nice-to-have to be scheduled in so long as it increases later productivity. Craft refuses both. It treats pleasure as evidence of contact with the real—heat in the glaze, a seam that sits down with a sigh, the paragraph that finally breathes through its nose. The joy is not a reward you earn for being good; it is the texture of doing something with your whole attention. When I say I love the work, I am not pledging fealty to a factory. I am describing an intimacy with materials and meanings that has survived every attempt to turn it into a brand.


Reclaiming Care as Defiance

To value good work in an age that rewards disposability is a form of resistance that rarely photographs well. No one gives you a medal for re-squaring a mitre cut or for redrafting an introduction until it stops sounding like throat-clearing. No one sees the invisible time you spend learning the way a new clay body slumps at 1200°C and adjusts your forms accordingly. No one tallies the small refusals: not releasing the piece because the base is wrong; not taking the gig because the contract is predatory; not shipping something you can’t stand behind. But these granular acts of care are refusals in slow motion. They deny the machine its favorite fuel: expedience.

The practical examples are almost comically humble. You sand the underside of a shelf no one will crawl beneath. You wax the inside seam of a box no one will open. You repair a shirt instead of replacing it because the mending is an act of remembering. These gestures are not nostalgic; they are contemporary in the most literal sense: with time. They keep you with your time rather than squandering it on churn. They are not compliance. They are an insistence that objects and words be allowed to earn their stay in the world. Care does not serve the market unless the market can disguise itself as a neighbor. Care serves the network we actually live in: rooms, hands, breaths, the way a reader’s shoulders drop when a sentence lands.


Work as Prayer, Not Penance

I don’t need theology to explain this, but the metaphor is useful: there is a way of working that feels like prayer in the old sense—not begging, not bargaining, but attention as a form of praise. You smooth the rim not to prove worthiness but because smoothness is its own language. You edit the sentence not to impress a rubric but because truth is finicky and you would like to meet it without the crackle of static. You attend not to justify yourself but to join yourself to what is here. Penance is the opposite: a paying down of debt to appease judgment. If someone tries to tell you that your devotion is penance by another name, ask them who is keeping the books. If the answer is a boss, reconsider. If the answer is a god of punishment, run. If the answer is no one at all—only the piece asking for what it needs—then you are likely in the right room.

The ethic of good work predates capitalism and will outlive it. The violence lies not in labor itself, but in mistaking labor for proof of virtue, in letting systems confiscate your appetite for care and rent it back to you at interest. I do not want to be righteous. I want to be accurate. I want to be kind in the particular, not in slogans. I want the bowl to do what a bowl should do and the page to carry what it claims without buckling. When I work carefully, I’m not seeking grace; I’m participating in it. And when I stop, it’s not because I’ve run out of merit. It’s because the light changed, or I did, and tomorrow will be a better day to continue.


A Short Word About Rest (Because Someone Will Ask)

None of this is an argument against rest. Rest is part of the work; it is not a reward for being obedient to a schedule. If you’ve ever destroyed a piece by pushing past the hour when your hands were telling you to leave it be, you know this at bone-level. Rest is also part of refusal. It refuses to collapse the self into output, refuses to call depletion a badge. I honor rest the same way I honor effort: as a choice that belongs to me. The ethic I’m describing says yes to sleep, yes to softness, yes to stepping away when “just one more” is the voice of compulsion instead of care. It says yes to continuation rather than crisis. It says yes to the long run, which is the only way any practice worth having survives.


A Vocabulary for Living

If we cannot learn to name what’s happening—when care is care and when it is coercion—we will keep shaming each other for the wrong things. We will keep congratulating ourselves for opting out of harm while quietly abandoning the practices that make our lives worthwhile. I don’t need you to admire my diligence. I need you to stop calling it piety. I need you to let the possibility exist that a person might sand a hidden edge because hidden edges matter, that a person might rewrite a paragraph because truth deserves to be carried well, that a person might work late on a Tuesday not to win a race but to keep a promise to the person they hoped to be.

Call it what you want. I’m not married to the names. But understand what is at stake when you flatten devotion into dogma: you make it harder to see the difference between a body being wrung out for quarterly goals and a body leaning into a task because the leaning is how they breathe. The first is violence. The second is life. If there is any heresy here, it is against the idea that worth can be proven by toil or disproven by rest. The heresy of good work is simpler: that we are allowed to care, and that caring is its own permission. It is not a sign of servitude to love what you make. It is a sign that you remember what work is for.

Support independent creativity through the Mutual Aid Fund or by exploring the Shop: Made by Me | Oddities & Convenience. If you’d like: you can follow us on Mediumitch.io, or on ko-fi as well.

Leave a Comment

error: Artwork and images © the artist. Reuse requires a license. Support the work or inquire about licensing.